The Cain and Abel narrative is very versatile with lots of opportunities for adjustment: two brothers, two sisters, two siblings, two cousins, two co-workers, two businesses, etc.
- You need opposing factors in single or equal multiples who seem at first to be on the same side. Brothers in the same family, friendly competitors, step-sisters who get along well.
- They start out friendly and social, but one starts getting more recognition, more appreciation. Parents don’t feel there is any preference, but the older child sees things differently. Or one company notices stock market increases where the two companies used to be rising equally.
- Some denied jealousy, a little frustration when efforts are made to get that recognition and it doesn’t work. Everybody loves a little sibling rivalry, improves the effort. Companies always rise and fall in value over time.
- Things escalate, but the brotherly love seems safe from damage. A little argument here, a friendly challenge maybe taken to extreme. But one uses less than quality workmanship.
- Until the tipping point arrives and one destroys the other.
- No sign of guilt or taking reponsibility. Then punishment, ostracism, life of misery. Or earned forgiveness.
The Little Handbook of Narrative Frameworks available on Smashwords and Amazon.
